ANTHOLOGY COMPLEX


30 PIECES OF GOLD (1:1:4:38)


A long time ago, someone had a nightmare. Imagine a dark basement where the only light that is visible is the light that is coming in from the top of the stairs because that door up there is cracked open. Now imagine the who are two people, one man standing in front of another man who is tied to a chair. The standing man knows there is a man sitting before him, but the sitting man has no idea there is a man standing before him.

Not until the standing man pulls on a piece of string that causes a light bulb to turn on. The sitting man's eyes begin to hurt as they adjust to the light, but they hurt even more when he finally sees the standing man before him who intends to do him harm.

I'm standing there, watching this man as his nightmares come true. In some kind of unexplainable narcissistic view I am looking at myself, seeing only a man who has matured into a being capable of controlling his compulsions. A man who once could not control his obsessions but now has the confidence to do so. A man who once could not understand why he was the way he was, but has now accepted that he was meant to be this way.

I take a dull pocketknife out of the sitting man's pocket, and as his eyes widen and his attempts to yell fail, I begin to hack away at the top of his nose and make my way down. These things use to terrify me, but I have gone through a sort of therapy that allows me to control my fear.

Sometimes I wonder if anything will ever go wrong. Maybe someone will get the edge on me before I get it on them, maybe someone will find out what I do, maybe a law enforcement agent will catch me. The thing is I only wonder, I never fear these things actually happening. I know that since I have chosen to commit these murders in a state that enforces the death penalty, if I ever do get caught I'll be killed myself instead of having to live the rest of my life in a small cage. If you ask me, I believe there are a lot of people who would much rather die than serve a life-sentence.

Now imagine a bright basement where the door at the top of the stairs is now shut so that no light is coming in. The who is a man who has been murdered and left to rot. On the cold floor beside him are two ears, two eyes, two lips, a nose and some hair. The appearance of the person's head is only something you can imagine.

Now going through these notebooks under the same category as the one with a serial killer, I find a few dreams with a detective who is searching for a serial killer with the same modus operandi. The same M.O., the same mode of operating. As I read and read I find that at the end of the serial killer and the detective's speechless discourse, the detective catches him and the serial killer is put to death. The last words of the serial killer are "Father, forgive them, for they know not what they do." The serial killer who seems to be suffering from megalomania paraphrases his life in one last sentence to be compared to that of Jesus Christ's life. He compares how they both are executed by a body of government.

Thinking of these two men now, the killer and the messiah, I can't help but remember the dream I had with Satan on the airplane where he told me that the christ and the antichrist look similar in appearance.

Is it possible that the man on the subway who gave me his shoes wasn't the christ, but actually the antichrist? Is that why he told me he will be whoever I decide to call him? I quickly realize that these ideas are trivial since these are all just dreams, but even the trivial things in life have a way of making us tick.

Attempting to move on from the subject of murder and personal salvation, I find the dream where I see a billboard of Maria, and how it is telling me that she is missing. I guess I must have forgotten it when I woke up, but that page reminds me that I recently had a dream about Maria. It was maybe a few weeks ago. In the dream Jesus told me that she had died and was eventually judged and separated from this place. After I wake up from that dream I start to think about her, and I wonder where she is. What are the chances that she is actually dead? Thinking of the people you are no longer in contact with always bring along a fury of questions.

Is she married. Does she have children. Does she have a good job. Is she happy. Is she sad. Is she still angry at me?

"One teacher killed." That comes out of the television in the living room and it grabs my attention. I put the notebooks back in their order and I go see what this news piece is about this time. Today, in a city school there was a shooting that has resulted in an unknown amount of deaths. All they can really confirm is that one teacher had died on the way to the hospital.

What everyone is waiting for is to see if the shooting was motivated by anything drug related. If the constant decline of the quality of this city hasn't been noticed yet, it will be noticed now as this story is going to be reported nationally eventually.

Somewhere in the middle of the report there is a knocking at my door. It's Kathleen, who is asking me if I can help her move some of Joe's things out of his apartment. I finally get to see what his possessions are.

Along with her are her two nephews who seem to be about twenty five even. Kathleen opens the door to his apartment, and for the first time, I walk in. I've glanced inside maybe two or three times, but I had never had the front row seat.

After the four of us walk in, and after we've wiped off the confused looks on our faces, we quickly realized that Joe had stopped living here. It was completely empty as if someone had just moved out. Kathleen goes into the bedroom, the only thing there is a bed. In the bathroom there is a bar of soap, a tooth brush but no tooth paste and a box of cotton swabs. Maybe Joe only slept and showered here, and was living somewhere else most of the time. So much for me finding out what type of person he is.

I am relieved of duty early because the two nephews are able to handle the bed by themselves, and after about ten minutes I watch from my window as they drive off in a moving truck with Joe's possessions. So little in so much space. It almost makes you terrified of living a long but meaningless life.

The truck is no longer visible, but what does come into vision is a person named Mary. She gets out of a car and begins to yell at the driver. After a few seconds the driver drives off. "She needs to relax more," I think to myself. As she gets closer to the building I begin to see the added weight Tao mentioned, and I wonder where it all came from. Maybe stress from her job? Maybe from the men in her life? Maybe life itself.

After she has entered the building I go to the kitchen to get food, and not more than five minutes have passed before I hear her yelling outside again. When I go to the window I see the same car I saw before, but this time I see the man who she is yelling at. The man doesn't have much to say, but Mary is going on and on about how he is suppose to buy her things. I'm guessing he forgot her birthday.

After some time the man says something that gets him a slap across the face and causes Mary to walk away. While she is walking away he yells something at her, and then gets into his car and drives away. The efforts that humans make at romantic relationships are sometimes comical.